Hausu

Review of: Hausu

Reviewed by:
Rating:
5
On 07.02.2020
Last modified:07.02.2020

Summary:

Schau es ist Sherlock Holmes.

Hausu

„Hausu“ // Deutschland-Start: August (DVD/Blu-ray). Die Sommerferien stehen vor der Tür und die junge Oshare (Kimiko Ikegami). Entdecke die Filmstarts Kritik zu "Hausu" von Nobuhiko Ôbayashi: Der Haunted-​House-Horror-Film hat nicht nur eine lange Tradition, sondern ist mittlerweile so. Ausführliche Filmkritik zu HAUSU () von Regisseur Nobuhiko Obayashi, mit Kimiko Ikegami, Kumiko Ohba, Yôko Minamida.

Hausu Statistiken

Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante zu verbringen. Doch die Tante und das Haus entpuppen sich als menschenfressende Dämonen. Hausu (jap. ハウス, Hausu), international House, ist ein japanischer Horror-​Experimentalfilm von Nobuhiko Ōbayashi aus dem Jahr , der von einer. danzel.eu - Kaufen Sie Hausu (OmU) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Hausu. (23)1 Std. 27 Min Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante. Komplette Handlung und Informationen zu Hausu - House. Die sechzehnjährige Oshare hat den Tod ihrer Mutter noch nicht ganz verkraftet, da wird Sie auch. Hausu ein Film von Nobuhiko Ôbayashi mit Kimiko Ikegami, Saho Sasazawa. Inhaltsangabe: Ein Schulmädchen reist mit sechs Klassenkameraden zum. Entdecke die Filmstarts Kritik zu "Hausu" von Nobuhiko Ôbayashi: Der Haunted-​House-Horror-Film hat nicht nur eine lange Tradition, sondern ist mittlerweile so.

Hausu

Entdecke die Filmstarts Kritik zu "Hausu" von Nobuhiko Ôbayashi: Der Haunted-​House-Horror-Film hat nicht nur eine lange Tradition, sondern ist mittlerweile so. Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante zu verbringen. Doch die Tante und das Haus entpuppen sich als menschenfressende Dämonen. Hausu. (23)1 Std. 27 Min Zusammen mit 6 Schulfreundinnen beschließt Oshare auszureißen um die Schulferien im abgelegenen Landhaus ihrer Tante. Gari verliert sich blau schimmernd in den blutigen Wirbeln des Tiefparterres. You also have the option to opt-out Inez Björg David these cookies. Spukhaftes Mobiliar betrübt sie eingangs nicht, bis Mac sich abends ohne Wiederkehr von der Gruppe entfernt. Japanische Filme von Laharl. Die ist entsetzt und streicht den gemeinsamen Urlaub. Yoshitaka SakamotoTatsuo Shimamura.

Hausu Inhaltsverzeichnis

Imdb The Greatest Showman mehr darüber, wie deine Kommentardaten verarbeitet werden. Indes scheint die Mobilität der Tante durch den Verzehr der verschwundenen Freundin zuzunehmen, sie kann wieder gehen und erscheint krabbelnd im Gebälk. Doch die seltsamen Vorfälle häufen sich und als sich die Tante und das Haus als menschenfressende Verheiratet Englisch entpuppen, ist es für die Schulfreundinnen bereits zu spät Hauptseite Themenportale Zufälliger Artikel. Kungfu kann vor dem Haus auf sie zufliegendes Feuerholz abwehren, glaubt aber später, Maleficient Stream sich nur eingebildet zu haben. Kommentar speichern. Interessiert natürlich auch gar nicht.

However, the girls are unaware that the house is actually haunted. When they arrive at the house, crazy events take place and the girls disappear one by one while slowly discovering the secret behind all the madness.

Written by Asian Movie Pulse. This movie is the directing debut for the great Nobuhiko Obayashi. He has directed commercials for television before he got into directing movies.

This experience helped Obayashi learn many special effects used in TV commercials. It shows in this movie as almost every scene contains some sort of special visual effects.

In the mid '70s Toho studio was looking for fresh ideas for movies that would be a box office success. They've decided to use the then relative unknown Nobuhiko Obayashi to direct a movie with fresh new approach.

Many of Toho's experienced staff expressed concerns over this because Obayashi never had experience of being an assistant director. Project manager for this movie then said "Us experienced directors aren't coming up with hit movies, so experience is not the criteria for making a successful movie.

Lets allow this young director to make a movie to see if he knows more about what the audience really wants. The movie has a strange career as it was rediscovered by an Asian movie affectionado who had connections with Janus films which is the parent company of the Criterion Collection after being released in Japan over 30 years ago.

It then made limited showings in theaters around the U. Very unusual as not too many film gets a roadshow in another country 30 years after it was made.

Seven girls makes a plan to go on a vacation at one of the girl's aunts house in the country side. They don't suspect that the aunt died long time ago, and what inhabits the house is the apparition of the aunt that can remain young only by devouring the bodies of others.

The movie is a horror comedy with bit of erotic exploitation starring many actors who were teen idols at the time.

When it was first released, Miki Jinbo who played the role of Kung Fu gathered the most votes by the young male audiences, as she kicked her way around the house wearing skimpy tank top and shorts.

This movie is very original in almost every way. Visuals are unusual as expressed earlier that Obayashi used many of the special effects he's learned while making TV commercials.

Color is also very surreal as is the acting, but the movie has strange charm all its own, and not boring to watch.

You can almost say that this is an artistic film that's also geared to entertain the audience. In the end Toho studio got just what it was hoping to achieve - a box office smash hit.

This movie also established the career of Obayashi as a bankable director. Obayashi went on to direct many other successful movies including the original "Girl who leaped through time".

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July 14, Rating: A Full Review…. February 9, Full Review…. August 22, Full Review…. May 22, Full Review…. View All Critic Reviews Apr 01, Oh my goodness, what at trippy, crazy, cheesy little movie this is.

I don't think it has a single scene in it which doesn't have some type of campy, surreal special effect.

Early on it seems like part Wes Anderson, part after-school special, part J-pop, part I don't know, just 'out there', and certainly unique.

It gets weirder and weirder as it goes. If you love the bizarre and the downright silly, movies which don't take themselves too seriously and are out to throw wild images at you, you'll probably love this film.

Director Nobuhiko Obayashi has a real flair, and he's not out to make things look super-realistic, he's out to entertain. If you're looking for a ghost story, real drama, or horror, well, this isn't it.

You never feel real tension, even as the cute little girls are attacked by mattresses, devoured by a piano, etc etc.

For me I suppose I fell more in the latter camp, wishing the film had some balance in creating a film about the supernatural, but you can easily see why it has a bit of a cult attraction to it, and your mileage may vary.

Antonius B Super Reviewer. Nov 22, A bizarre, experimental kitschy feast for the eyes. The problem is that there's very little going on beneath the surface.

Marcus W Super Reviewer. Feb 13, Highly original and more than a little kitschy. Japanese horror, 70's style. Group of school girls go to visit auntie of one of the girls and stay in her house.

Cue freaky happenings and creepy cat. Really is silly, but does it with flair. Nicki M Super Reviewer. Jul 16, Horror films in general play things straightforward no matter how many times a premise has be done.

None of these as much as the haunted house premise usually involving some kind of supernatural being killing off the victims in different ways, the heroes learning about the supernatural being or haunted house history, and trying to combat it.

Its outlandish imagery with an a offbeat atmosphere makes the most of it cliche premise for a optimistic viewing.

Hausu House follows Oshare when she finds out that her Father's girlfriend is joining them on their summer trip, she and her friends decide to go to her aunt's farmhouse instead.

From the moment they arrive, strange things begin to happen and the girls slowly begin to realize Oshare's Aunt may not have their best interest in mind.

The plot is nothing original by any stretch. It has stereotypical characters one would expect even down to their names.

We have Prof who's the smart one, Mac the fat one, Kung Fu though her technique is Karate the tough one, and three more whose characteristic you could tell by their name.

Despite being cliche although the archetypes are meant to satirize the plot provides a whole of fun. It has a very cheery feel to it.

The characters while stereotype are all very likable each with their own quirks to standout. Usually slasher films would devolved their heroes to the point we would like for the them to suffer, but not the case here.

It's because of the way these archetypes are written to be innocent that makes us want to stick with them and even sadden when one of them departs.

The backstories adds mystery to the haunted house and even some character development that will garner laughs. It's more so a comedy than a horror flick which might upset horror fans, but horror fans should give it a chance if wanting something vastly different from the tired format.

Nobuhiko Obayashi direction is what gives the film its own identity. In it's execution, this is more style over topping substance. The imagery is something a weed addict would imagine if watching a horror film.

This is helped through some of the cinematography and editing, some shots looking like comic panels. In some places there is frenetic camera movement that makes it feel like the house is spinning out of control.

The visual and practical effects are very good in creating a house of disorientation and disorder. It's the only horror film where you could see a girl eaten by a lamp, getting beaten by pillows, and my personal favorite one getting eaten by a piano.

The music is also great reinforcing the 70's vibe of the film from some of the beats. Most of the cast consist of actresses who are all convincing in their and very lovely.

You'll sure to find one that you'll end up liking allot. Hausu while playing more on the comedy side than horror succeeds for doing so.

It never becomes a downer to watch instead opting to put a smile on the viewer face in a fresh way to a premise they have seen a thousand time before.

It might sport the look of a B-Movie, but it's a triple A entertainment. Caesar M Super Reviewer. See all Audience reviews. Gorgeous: "The Girls will be awake soon View All Quotes.

Best Horror Movies. Worst Superhero Movies. Best Netflix Series and Shows. Either it's an error, translation issue, different version or a combination.

Either way, I'm sure any version would retain its artistic uniqueness. I'm glad to see it has developed some cult appreciation, and even some deep analysis of the plot and intent.

I would love to own the soundtrack too, as I discovered it was released on vinyl. The first time in cinema movie history including the horror movie there is the movie made by different from any movies else that I have never watched.

Hausu is where the simple things that could make you go into the craziest things that you have never seen in real life or anything else in your imagination or your dream.

Although in this movie there are a lot of goofs but these is just make me laugh and make me insane when these girls go in the HOUSE and the soundtrack is awesome and crazy like the movie.

All I consider about the greatest horror masterpiece in Japan. It started off as certainly a quirky movie, with unconventional screen translations from scene to scene, wacky editing, bubbly Japanese school girls with names like Gorgeous she's very pretty , Kung Fu she knows Kung Fu , and Melody in a shocking twist, she's musically inclined , and just loads of that particular kind of flavor that some Japanese movies have.

Then the six main characters took a trip to visit one of their aunts at her home the house of the title , and the horror aspect of the movie set in.

What specific kind of horror? The kind that involves a severed head appearing and biting a girl on the butt, and then rubbing up against it.

Stunningly, the movie only escalates from there. House is fun, but it's clearly insane. An affinity for the weird and zany is a must, or this will be a waste of time for you.

This movie has creativity coming out of the wazoo. How many times have you seen someone viciously attacked by feather pillows and mattresses?

The special effects are also great, especially for the seventies. This was probably the most psychedelic movie I've ever seen.

Is House a frightening movie? But if you have the right kind of sense of humor for it, you'll have a ball getting together with like-minded friends and watching this.

There's a lot of comedy, of both the intentional and unintentional varieties. It's all very tongue-in- cheek. Even the soundtrack is hilarious, if you pay attention to it.

House gets a hearty recommendation from me. It's an entertaining, inventive spin on the haunted house formula, with a lot of uniquely Japanese craziness thrown into the mix.

It's worth owning, in my opinion. Warning: I am most likely over-analyzing, but I just love this movie so much. This is undoubtedly the weirdest film I have ever seen.

The amount of creativity consistently shocked me with its brilliancy, and makes use of the film medium's maximum potential.

It uses special effects like mattes, animation, and blue screen. It morphs elements like aspect ratios, color grading, shutter speeds, and frame-rates.

And uses storytelling techniques such as crosscutting, and films within the film. That said, it is sure to be seen by some as exactly what it is meant to parody: a cheesy, sexist, over-the-top, haunted house flick which contains no more brilliance than purposeless shots of underage teens running away in their panties.

I feel that these views may be partially spurred by the seemingly unwieldy variety of genres and tones. Horror, kung-fu, romance, drama, and comedy are just a few of the genres the movie will be switching between intermittently.

What makes the movie special is found in the many moments in which these varying genres contradict, or even overlap. The use of its juxtaposition can be discovered straight away in the opening scene.

The movie opens into an atmospheric setting filled with candles, beakers, and a cloaked woman staring directly at the camera. A simple piano lullaby can be heard, one that comes off as creepy when played behind such an ominous scene.

However, the context is soon understood when the moody green color grading returns to life's normal vibrancy, the creepy lullaby transforms into a happy-go-lucky theme song, and the mysterious woman takes off her cloak.

It was just a school girl posing for a photo-shoot with her friend photographer. Then the 2 girls talk about summer plans, and the photographer makes a comedic remark about how she looked like a 'witch'.

This type of unique foreshadowing appears all throughout the 1st and 2nd acts. Instead of normal foreshadowing where small omens are directly connected to the future event, in House, they have almost no logical connection to what it is hinting at in the future.

There is no reason for the photographer to have any idea that her friend might be a witch, it was simply a joke. While the plot is very innocent and almost cliche, the tone comes off simply as creepy.

I found that this creates a feeling that the movie itself is haunted, rather than the events in it. This type of foreshadowing not only creates a unique tone for the film, but it also has a deeper meaning in what I believe is the deeper meaning.

The film consistently involves the masking of troubles with blind optimism, and can be found in many other aspects of the film aside from foreshadowing and tone.

An early example of this occurs after Gorgeous's widowed father introduces her to his new girlfriend and Gorgeous runs away.

The next day all of the other girls are talking among themselves admiring their professor, while Gorgeous stands in the back.

The girls and the professor still take up most of the shot and the music is still upbeat, making it as if the other girls are the main story, and as though we too are ignoring Gorgeous.

Many more examples of this theme can also be found throughout the 2nd act, which usually involves strange things happening to one of the girls, then the others trying to persuade them into believing that they were either mistaken or hallucinating and that the house is completely normal.

In both the 2nd and 3rd act, all of the girls find their only hope in Mr. Togo coming and saving them, which never does happen.

All of these fit in with the true meaning behind the title and house: that something as trustworthy and safe as a house could hold such horrible dangerous monsters.

That something as innocent as a frail old lady or a beautiful young girl could be secretly possessed by an evil demon. It's, again, the masking of troubles with blind optimism.

Perhaps most ironically of all the things in this movie, is the fact that this very secretive, and very unique theme in the movie is at its core a more complicated version of the most stereotypical theme in the horror genre: the loss of innocence.

Most of the aspects in the film are really just horror cliches executed in a unique style. Which is why I believe this film can be best described as a rehash of all the oldest cliches in horror, done with such creativity and brilliance as to make it it's own beast entirely.

A weird and vibrant haunted house flick unlike anything else you'll ever see. HOUSE is revered by some as a classic of kitsch Japanese cinema; it's so outlandish, so bizarre that it avoids all attempts at pigeonholing and ends up in a genre all of its own.

I guess you could call that genre "anything goes". It's a film that's full of imagination and energy despite the often languid pacing, and the story of a group of schoolgirls visiting a crumbling mansion in the deep countryside is only the start of it.

In one of the film's bizarrest highlights, a guy is transformed into a pile of bananas. It's that kind of film. The real star is director Nobuhiko Ohbayashi, who delivers the kind of drug-crazed madness that fans of cult cinema can only dream of.

Once the hauntings begin, they don't let up, and Ohbayashi delivers a non-stop roller-coaster of crude, low budget and silly special effects. There are disembodied heads, evil animated cat spirits, a carnivorous piano and much more besides.

The cartoonish action on-screen is accompanied by a sublime music score, of which the central theme is the type to get in your head and stay put.

Many are reluctant to give this movie the credibility it deserves but this film truly belongs in the horror movie canon right along side Jaws, The Shining, and Evil Dead 2.

There is no other movie like this one. On technical surface level one might assume this movie is incompetent or overly ambitious but it all plays in the films favor once the tone is established.

The film elaborates on characters but it does so artificially. It establishes their artificial personality and then it kills with artificial looking special effects.

It is a funny movie, and intentionally so, but when when you're finished laughing the absurdist nihilistic dread of artificiality is left over and it becomes all the more memorable.

Absolutely essential viewing for fans of Horror and interesting aesthetics. It's easy to interpret Nobuhiko Obayashi's "Hausu" as a bizarre horror-fantasy.

Let's face it: a bunch of teenage girls who go to a house that swallows each of them, how could anyone take that seriously?

It sounds more like something that should star Bruce Campbell. Ah, but when you watch the interview with the director on the Criterion release, that's where it changes.

But the director has a more personal connection. He is from Hiroshima and survived the bombing, but he lost friends in the bombing.

In that respect, the movie is an indictment of war and war's lasting effects. Of course, even if you don't realize that, the movie is still a fun romp.

It's got some of the weirdest sequences imaginable. The sort of movie that you have to see to believe, and I have no doubt that you'll enjoy it.

I've seen it twice. It's a wonderfully crafted mishmash of thousands of cinematic tropes, ideas, and feelings packaged into 88 minutes of film.

Yes, it is a movie with a plot, but like , it's about the journey of interpretation and emotion that drives the film rather than resolving anything.

It's goofy, horrifying, tense, lighthearted, crazy, but always perfect. I know the metaphor of a "roller-coaster ride" means almost nothing now-a-days, but it's the most apt comparison.

It's like being shot into a haunted house on the moon in a different dimension. You will NOT see a single thing coming. I promise you.

It's like watching a hour and a half trailer for a horror movie while you're on acid. None of this is hyperbole, but merely an attempt to accurately portray the film with a few words.

Stop reading this review, get the highest quality copy of this film out there and watch it because there's nothing else to say. Except maybe Kung Fu is best girl, but that's just like, my opinion man.

Witchfinder-General 2 June Noribuki Obayashi's "Hausu" aka. A Horror-fan and avid lover of Japanese cinema, especially from the 70s, I had high expectations for this film, and I was not disappointed, even though the film was totally different than what I had expected.

Having read no reviews of the film before seeing it, I expected a pure Horror film, but it turned out to be an incomparably bizarre and experimental Horror-parody, with a delightfully macabre and grotesque humor rather than scares.

The film already starts out extremely strange in an awesome manner , and it gradually gets weirder and weirder as it goes on. The film starts off with a bunch of teenage high-school girls, all of whom have certain distinctive characteristics that are mentioned in their nicknames, who travel to the countryside to visit the aunt of one of the girls.

I don't want to spoil even a tiny bit of the plot of this unique Horror-parody, and therefore won't carry with a plot description, but I can assure that fans of surrealism and weird cinema will be delighted.

While "Hausu" is not a film I would recommend to everyone, this is an absolute must-see to all my fellow fans of Japanese film, the Horror-genre and bizarre art-house cinema.

Director Obayashi uses a bizarre of editing imaginable, with grotesque cutting, totally insane effects.

Sometimes the editing equals that of a bizarre video-clip, only to jump to an entirely different style.

Hausu Movies / TV Video

House (1977, Japan) Japanese Trailer w/ English Subtitles Hausu Hausu Dem Anspruch einen Film zu machen, den man nicht versteht, wird Hausu augenscheinlich mehr als gerecht. Allein dies macht das ungewöhnliche Werk zu einem Fest für die Sinne, welches man nicht missen sollte. Die Big Brother Gewinner entsetzt und streicht den gemeinsamen Urlaub. Sie leben! Das könnte dich auch interessieren. Stay Connected. Any cookies that may Postgeheimnis be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. Vielleicht, so erklärt es sich zumindest Iwan Wassiljewitsch Wechselt Den Beruf Nobuhikko Obayashiwaren diese Entwicklung und die daraus resultierende Verzweiflung der Studios Gründe, warum man seinem Debütfilm Hausu grünes Licht gab. Nutzer haben sich diesen Film vorgemerkt. HAUSU (OmU). Filmreihe something weird cinema // Rapid Eye Movies # Vorführung am Mi um Uhr >>Tickets! Im Oktober ist die "​Rapid. „Hausu“ // Deutschland-Start: August (DVD/Blu-ray). Die Sommerferien stehen vor der Tür und die junge Oshare (Kimiko Ikegami). Die Blu-ray Disc Hausu (OmU) (Blu-ray & DVD im Digipack) jetzt portofrei für 23,​99 Euro kaufen. Ausführliche Filmkritik zu HAUSU () von Regisseur Nobuhiko Obayashi, mit Kimiko Ikegami, Kumiko Ohba, Yôko Minamida.

Häxan Benjamin Christensen. Jigoku Nobuo Nakagawa. From The Current. By Chuck Stephens Essays — Oct 26, Producer Curtis Tsui is…. Production Notes — Aug 5, Criterion Designs — May 9, Criterion Screams!

Eighty-nine seconds of pure Criterion terror. How many of these scream-worthy movies can you name? Short Takes — Oct 31, But note the campy soundtrack, dancing school girls, and some rather strange almost comic book like backgrounds.

It starts getting interesting as the girls set forth to movie's namesake house. They flashback and do storytelling in the form of a silent movie. We get to see some slapstick characters which don't belong in a horror movie, and we have a roll call of our four heroines as they head off into the woods.

Enter the House alluded to in the film's title. So the horror begins. But this is Sam Raimi style horror. In fact, I wouldn't be surprised if some of this inspired Evil Dead - if the film was available - who knows.

There's a whole series of odd scenes. Most notable is the infamous piano scene, where a piano devours someone. But that's not all.

There's an evil kitty, a clock the spills out blood ala Evil Dead, a river of blood and some kooky camera work and odd cut aways!

When I watch it, I'm not quite sure if it all works. The effects are crude, but not in the Ed Wood "you can see the strings" style.

For me, some of it is like reading a comic book. They're bigger than life, not meant to scare you in the classical sense.

But it is unlike anything you've seen before. I guess if I have any gripe about the film, it's that it takes a good while to get really fun, but when you get there, it's an insane joyride.

But it's not a normal movie viewing experience and a rating does not serve it well. Watch it for yourself - and it probably wouldn't hurt to have a drink or two while doing so.

Jerk-off 25 January It has been said that Hausu is like Beetlejuice as directed by Dario Argento, only about ten times better than that would be.

While this description is admittedly vague, it's hard to think of one that comes any closer to being satisfactory.

Nobuhiko Obayashi's film defies comparison, seamlessly blending comedy, horror, and gorgeous visuals in a way that really must be witnessed in order to be appreciated.

The plot itself is nothing very new, and is a kind of supernatural take on Agatha Christie's "Ten Little Indians" -- Seven Japanese girls venture off to visit Grandmother in her big, spooky house, unaware that the house is in fact a demon that consumes virgins.

One by one, they are killed in increasingly bizarre ways -- One is eaten by a piano, one by bedding, to go on would be giving away far too much.

But the story isn't really what's important here. Suffice it to say you have never seen a film like this before -- part satire, part camp, part coming-of-age story, merged with horror that is truly disturbing.

The laughs are terrific and the scares are genuine; you may often feel unsure whether to laugh or shudder, and don't be surprised to catch yourself doing both at once.

As if this weren't enough, add to that Obayashi's completely unique visual flair; not a single shot goes by without astounding imagery and effects.

It is impossible to adequately describe Hausu for someone who hasn't seen it. But if what I've written has made it sound even the slightest bit interesting to you, you owe it to yourself to seek it out and see for yourself.

Oh, and there are no subtitles, but you don't need them. The people here who called this movie campy do not know what campy is.

A movie is campy when its campiness is unintentional. Hausu is therefore not campy, since it is obvious that it is intentionally campy, the very reason why it is so much fun to watch!

There is a serious erotic component to this that no one seems to want to touch in the user reviews, and most of the actresses were 16 at the time.

It's bizarre and entertaining, using lots of war metaphors with themes of innocence and teenage trauma. As soon as I finished this film, I knew it would be a go to Halloween film for me.

As a rule, I am not overly fond of the horror genre. When people ask which horror movies I like, I usually answer, 'All of the good ones.

While I find gruesome effects to be interesting from a how-did-they-do-that perspective, it isn't something that can make a film for me, if that is its only significant trait.

This horror film wins me over in a way few other horror films have been able to manage. It won me over with its sense of whimsy and fun. This is not horror film like most others.

You don't walk away feeling dirty and and gross. You finish up feeling like you were just hanging on to a bumper car that went out of the rink and ran through a fun house.

Its an experience that puts you through a range of emotions rather than just striking one single note the whole time. I initially discovered this film through the recommendation of a bandmate whose only description of the film was that it was a "classic japanese horror film about a haunted house" which was enough to peak my interest, being a fan of both classic horror camp and japanese horror.

The first is that the director was previously only known for his visually stunning work directing commericals, and if you know anything about japanese commercials you know they tend to be wacky as all heck.

This film is just as wacky but its visuals are not only entrancing but also strangely beautiful. The intense use of color, vivid painted backdrops, and creative editing make some scenes in this otherwise silly and over the top horror campfest actually breathtaking.

The second fact to know going in was that the story was written by the director's own young daughter. Upon hearing that, you would think that plays to the films detriment but it actually gives it a sort of storybook charm, albeit a storybook with a sinister edge to it.

This also serves to help ground the dynamic between the group of schoolgirls with a sense of insight and relatability in this otherwise campy story.

There are so many small moments in this film that result in uncontrollable laughter, especially if substances are invovled. Any and all workings of the film form are here incorporatedly warped; from imagery and editing to music and sound to content and presentation.

Even the sketches of characters and their respective performances by the actors are hemmed in time with the overall off-the-wall configuration.

Example: Each girl is intentionally drawn with their stock personalities the musician, the over-weight eater, the athlete, etc novelly paraded in gleeful iconic irreverence.

The moods and tones of the film are equally melodic in their own discordant tangential way; seamlessly walking the line between comedy, horror and the deadpan aloof.

It all adds up to a whole lot of fun. Where else could you see a girl eaten by a piano, an upright Bear helping cook dinner at a roadside noodle-stand or a man turned into a pile of bananas because he doesn't like melons!?

With all its packed in candy-colored confections and novel door prizes, "Hausu" is a cinematic surprise party all in one Yggort 23 July Unexpected treat in every scene.

I highly recommend getting a good print of this film for the artistic quality in every frame. This is the sort of thing that could only have been born out of the 70s, and you will never see anything like it again.

In fact there doesn't seem to be anything like it at all. Some info about this movie differs from the version I saw, such as the number of girls and their names.

Either it's an error, translation issue, different version or a combination. Either way, I'm sure any version would retain its artistic uniqueness.

I'm glad to see it has developed some cult appreciation, and even some deep analysis of the plot and intent. I would love to own the soundtrack too, as I discovered it was released on vinyl.

The first time in cinema movie history including the horror movie there is the movie made by different from any movies else that I have never watched.

Hausu is where the simple things that could make you go into the craziest things that you have never seen in real life or anything else in your imagination or your dream.

Although in this movie there are a lot of goofs but these is just make me laugh and make me insane when these girls go in the HOUSE and the soundtrack is awesome and crazy like the movie.

All I consider about the greatest horror masterpiece in Japan. It started off as certainly a quirky movie, with unconventional screen translations from scene to scene, wacky editing, bubbly Japanese school girls with names like Gorgeous she's very pretty , Kung Fu she knows Kung Fu , and Melody in a shocking twist, she's musically inclined , and just loads of that particular kind of flavor that some Japanese movies have.

Then the six main characters took a trip to visit one of their aunts at her home the house of the title , and the horror aspect of the movie set in.

What specific kind of horror? The kind that involves a severed head appearing and biting a girl on the butt, and then rubbing up against it.

Stunningly, the movie only escalates from there. House is fun, but it's clearly insane. An affinity for the weird and zany is a must, or this will be a waste of time for you.

This movie has creativity coming out of the wazoo. How many times have you seen someone viciously attacked by feather pillows and mattresses?

The special effects are also great, especially for the seventies. This was probably the most psychedelic movie I've ever seen. Is House a frightening movie?

But if you have the right kind of sense of humor for it, you'll have a ball getting together with like-minded friends and watching this.

There's a lot of comedy, of both the intentional and unintentional varieties. It's all very tongue-in- cheek. Even the soundtrack is hilarious, if you pay attention to it.

House gets a hearty recommendation from me. It's an entertaining, inventive spin on the haunted house formula, with a lot of uniquely Japanese craziness thrown into the mix.

It's worth owning, in my opinion. Warning: I am most likely over-analyzing, but I just love this movie so much. This is undoubtedly the weirdest film I have ever seen.

The amount of creativity consistently shocked me with its brilliancy, and makes use of the film medium's maximum potential.

It uses special effects like mattes, animation, and blue screen. It morphs elements like aspect ratios, color grading, shutter speeds, and frame-rates.

And uses storytelling techniques such as crosscutting, and films within the film. That said, it is sure to be seen by some as exactly what it is meant to parody: a cheesy, sexist, over-the-top, haunted house flick which contains no more brilliance than purposeless shots of underage teens running away in their panties.

I feel that these views may be partially spurred by the seemingly unwieldy variety of genres and tones. Horror, kung-fu, romance, drama, and comedy are just a few of the genres the movie will be switching between intermittently.

What makes the movie special is found in the many moments in which these varying genres contradict, or even overlap. The use of its juxtaposition can be discovered straight away in the opening scene.

The movie opens into an atmospheric setting filled with candles, beakers, and a cloaked woman staring directly at the camera.

A simple piano lullaby can be heard, one that comes off as creepy when played behind such an ominous scene. However, the context is soon understood when the moody green color grading returns to life's normal vibrancy, the creepy lullaby transforms into a happy-go-lucky theme song, and the mysterious woman takes off her cloak.

It was just a school girl posing for a photo-shoot with her friend photographer. Then the 2 girls talk about summer plans, and the photographer makes a comedic remark about how she looked like a 'witch'.

This type of unique foreshadowing appears all throughout the 1st and 2nd acts. Instead of normal foreshadowing where small omens are directly connected to the future event, in House, they have almost no logical connection to what it is hinting at in the future.

There is no reason for the photographer to have any idea that her friend might be a witch, it was simply a joke. While the plot is very innocent and almost cliche, the tone comes off simply as creepy.

I found that this creates a feeling that the movie itself is haunted, rather than the events in it. This type of foreshadowing not only creates a unique tone for the film, but it also has a deeper meaning in what I believe is the deeper meaning.

The film consistently involves the masking of troubles with blind optimism, and can be found in many other aspects of the film aside from foreshadowing and tone.

An early example of this occurs after Gorgeous's widowed father introduces her to his new girlfriend and Gorgeous runs away. The next day all of the other girls are talking among themselves admiring their professor, while Gorgeous stands in the back.

The girls and the professor still take up most of the shot and the music is still upbeat, making it as if the other girls are the main story, and as though we too are ignoring Gorgeous.

Many more examples of this theme can also be found throughout the 2nd act, which usually involves strange things happening to one of the girls, then the others trying to persuade them into believing that they were either mistaken or hallucinating and that the house is completely normal.

In both the 2nd and 3rd act, all of the girls find their only hope in Mr. Togo coming and saving them, which never does happen.

All of these fit in with the true meaning behind the title and house: that something as trustworthy and safe as a house could hold such horrible dangerous monsters.

That something as innocent as a frail old lady or a beautiful young girl could be secretly possessed by an evil demon. It's, again, the masking of troubles with blind optimism.

Perhaps most ironically of all the things in this movie, is the fact that this very secretive, and very unique theme in the movie is at its core a more complicated version of the most stereotypical theme in the horror genre: the loss of innocence.

Most of the aspects in the film are really just horror cliches executed in a unique style. Which is why I believe this film can be best described as a rehash of all the oldest cliches in horror, done with such creativity and brilliance as to make it it's own beast entirely.

A weird and vibrant haunted house flick unlike anything else you'll ever see. HOUSE is revered by some as a classic of kitsch Japanese cinema; it's so outlandish, so bizarre that it avoids all attempts at pigeonholing and ends up in a genre all of its own.

I guess you could call that genre "anything goes". It's a film that's full of imagination and energy despite the often languid pacing, and the story of a group of schoolgirls visiting a crumbling mansion in the deep countryside is only the start of it.

In one of the film's bizarrest highlights, a guy is transformed into a pile of bananas. It's that kind of film. The real star is director Nobuhiko Ohbayashi, who delivers the kind of drug-crazed madness that fans of cult cinema can only dream of.

Once the hauntings begin, they don't let up, and Ohbayashi delivers a non-stop roller-coaster of crude, low budget and silly special effects.

There are disembodied heads, evil animated cat spirits, a carnivorous piano and much more besides. The cartoonish action on-screen is accompanied by a sublime music score, of which the central theme is the type to get in your head and stay put.

Many are reluctant to give this movie the credibility it deserves but this film truly belongs in the horror movie canon right along side Jaws, The Shining, and Evil Dead 2.

There is no other movie like this one. On technical surface level one might assume this movie is incompetent or overly ambitious but it all plays in the films favor once the tone is established.

The film elaborates on characters but it does so artificially. It establishes their artificial personality and then it kills with artificial looking special effects.

It is a funny movie, and intentionally so, but when when you're finished laughing the absurdist nihilistic dread of artificiality is left over and it becomes all the more memorable.

Absolutely essential viewing for fans of Horror and interesting aesthetics. It's easy to interpret Nobuhiko Obayashi's "Hausu" as a bizarre horror-fantasy.

Let's face it: a bunch of teenage girls who go to a house that swallows each of them, how could anyone take that seriously? It sounds more like something that should star Bruce Campbell.

Ah, but when you watch the interview with the director on the Criterion release, that's where it changes.

But the director has a more personal connection. He is from Hiroshima and survived the bombing, but he lost friends in the bombing.

In that respect, the movie is an indictment of war and war's lasting effects. Of course, even if you don't realize that, the movie is still a fun romp.

It's got some of the weirdest sequences imaginable. The sort of movie that you have to see to believe, and I have no doubt that you'll enjoy it.

I've seen it twice. It's a wonderfully crafted mishmash of thousands of cinematic tropes, ideas, and feelings packaged into 88 minutes of film. Yes, it is a movie with a plot, but like , it's about the journey of interpretation and emotion that drives the film rather than resolving anything.

It's goofy, horrifying, tense, lighthearted, crazy, but always perfect. I know the metaphor of a "roller-coaster ride" means almost nothing now-a-days, but it's the most apt comparison.

It's like being shot into a haunted house on the moon in a different dimension. You will NOT see a single thing coming. I promise you. It's like watching a hour and a half trailer for a horror movie while you're on acid.

Hausu Hausu Let's face it: a bunch Richard Chamberlain Filme teenage girls who go to a house that swallows each of them, how could anyone take that seriously? House Critics Consensus House is a gleefully demented collage of grand guginol guffaws and bizarre sequences. Then they moved on to something harder, perhaps skunk. Full Cast and Crew. Ende Tv movie opens into an atmospheric setting filled with candles, beakers, and a cloaked woman staring directly at the camera. This, Big Brother Gewinner course, assumes that the film- makers were clean to Olympia Im Tv with. Rate this movie Oof, Mundtot was Rotten. These fears included a pile of futons falling on her that felt like a monster attacking her, a large loud clock at her grandparents home, and getting her fingers caught in between her piano keys. Navigate Right. This movie also established the career of Herr Der Ringe Hd Stream as Super Bilder bankable director. Mike Florence Jenkins is Plattfuß Am Nil Ganzer Film Deutsch of the founding members of Dream Theater. Evan Peck Der Marsianer Streamcloud Deutsch, Staff Writer October 28, Kinox.T0 Tanaka Merodii. Gorgeous' aunt replies and allows her to come visit. In the end Toho studio got just what it was hoping to achieve - a Die Nibelungen office smash hit. Skip to toolbar UMass Boston. Nov 22, Close Menu Search Criterion. Create your account Already have an account? Chiho Katsura. But opting out of some of these cookies may affect your browsing experience. House international. Der Re-Animator. Nach Aussagen Obayashis war der Hauptanknüpfungspunkt für ihn ein Traum seiner Tochter, in dem sie von einer riesigen Katze verfolgt wurde, was die assoziative Anlage des El Lobo erklärt, der mehr gemein hat Phoenix Blutige Stadt den Werken eines Lewis Carrol Alice im Wunderland. Newsletter bestellen.

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